(no subject)

Jul. 13th, 2025 12:50 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] kimsnarks!

june booklog

Jul. 13th, 2025 11:57 am
wychwood: Frannie smiling, with a heart (due South - Frannie heart)
[personal profile] wychwood
53. Beautiful Just - Lillian Beckwith ) I don't love this any more, but I can see why I did.


54. The Whig Supremacy - Basil Williams ) Moving into ever more familiar territory...


55. A Tale of Time City, 56. Eight Days of Luke, 61. The Game, and 62. Dogsbody - Diana Wynne Jones ) Apparently I have strong feelings about Dogsbody still. But these were all very readable, if in some cases rather slight.


57. A Problem for the Chalet School and 58. The Chalet School Triplets - Elinor M Brent-Dyer ) Always a pleasant time re-reading these.


59. A Sorceress Comes to Call - T Kingfisher ) Kingfisher is just generally reliable for me, and this is not an exception.


60. The Incandescent - Emily Tesh ) I enjoyed this a lot, and I'm very much looking forward to seeing where Tesh goes next! Recommended to anyone with an interest in pedagogy and school stories; what a great combination that definitely should be more common.

Foundation 3.01

Jul. 13th, 2025 11:26 am
selenak: (Demerzel and Terminus)
[personal profile] selenak
In which we make another time jump, the Foundation is now in its monarchical phase, while Empire seems to approach its version of the Third Century Crisis. Also: Demerzel is still my favourite.

Spoilers are explaining the Three Laws of Robotics and the Zeroth Law )
sovay: (Sydney Carton)
[personal profile] sovay
I dreamed of taking a transcontinental train with as little difficulty as traveling to D.C., which I am not convinced has been the state of American rail for decades. Otherwise since my sleep has gone principally to hell again, I feel burnt and friable and past my last fingernail of whatever I am supposed to be doing. On the one hand we are a communal species; on the other I would like to feel I had any right to exist beyond what other people require of me.

I am relieved to see that the enraging article I read last night about the deep-sixing of Yiddish at Brandeis has since been amended to a reduced but not eradicated schedule, but it would have been best to leave the program undisturbed to begin with. The golem reference is apropos.

My formative Joan D. Vinge was Psion (1982/2007), which even in its bowdlerized YA version may have been my introductory super-corporatized dystopia, but I had recent occasion to recommend her Heaven Chronicles (1991), which I got off my parents' shelves in high school and whose first novella especially has retained its importance over the years, of holding on to the true things—like one another—even in the face of an apparently guaranteed dead-end future, the immutably cold equations of its chamber space opera which differ not all that much from the hot ones of our planetside reality show. Not Pyrrhically or ironically, it chimed with other stories I had grown up hearing.

Jamaica Run (1953) is an inexplicably lackadaisical film for such sensational components as sunken treasure, inheritance murder, and a deteriorated sugar plantation climactically burning down on Caribbean Gothic schedule, but it did cheer me that Wendell Corey was unerringly cast as my obvious favorite character, the heroine's ne'er-do-well brother whose landed airs don't cover his bar tab and whose intentions toward the ingenue of a newly discovered heir may be self-surprised sincere romance or just hunting his own former fortune, swanning around afternoons in a dressing gown and getting away with most of the screenplay's sarcasm: "What is this, open house for disagreeable people?"

I cannot yet produce photographic evidence, but the robin's eggs in the rhododendron beside the summer kitchen have hatched into open-mouthed nestlings. A dozen infant caterpillars are tunneling busily through the milkweed.

Murderbot Interview

Jul. 12th, 2025 03:05 pm
marthawells: Murderbot with helmet (Default)
[personal profile] marthawells
Here's a gift link for the New York Times interview with Paul and Chris Weitz, who wrote, directed, and produced Murderbot:

https://www.nytimes.com/2025/07/11/arts/television/murderbot-season-finale-chris-paul-weitz.html?unlocked_article_code=1.V08.exvw.M_qE37ROOT58&smid=url-share

Hurt/Comfort Exchange creator reveals

Jul. 12th, 2025 05:12 pm
regshoe: Redwing, a brown bird with a red wing patch, perched in a tree (Default)
[personal profile] regshoe
My lovely Kidnapped gift was by [personal profile] sweetsorcery—thank you! :)

I, meanwhile, was pleased to match on The Warm Hands of Ghosts and Laura/Pim again. It's a good pairing for the angsty kind of hurt/comfort where the hurt (of both characters) is bigger and more complicated than the comfort can fix, but it still matters...

A Relapse and a Respite (2411 words) by regshoe
Chapters: 1/1
Fandom: The Warm Hands of Ghosts - Katherine Arden
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Laura Iven/Penelope "Pim" Shaw
Characters: Penelope "Pim" Shaw, Laura Iven
Additional Tags: Hurt/Comfort, Unresolved Feelings, Wrapped in blankets while hurt/sick
Summary:

The flu isn’t quite done with Laura, after all; Pim takes care of her, but she has other things on her mind too.

spiralsheep: Sheep wearing an eyepatch (Default)
[personal profile] spiralsheep
The real Salt Path (link to The Observer): how a blockbuster book and film were spun from lies, deceit and desperation.

The Salt Path-ological liar, The Wild Lies, and Landlies )

Most importantly, to me, disabled people suffer collateral damage from both aspects of her fraud: firstly by being told they could do x or y if only they had as much willpower as Walker's fictional character with CBS/CBD, then secondly from the assumption that many disabled people are frauds like Walker. I'm betting she'll continue to profit from her crimes while her victims, intended and indirect, suffer for her choices. (I also feel sympathy for the Walker children and hope they avoid being dragged into this.)

ETA 13 July 2025: Observer article about a further Walker scam I've quoted salient extracts in a comment below.

Assortment

Jul. 12th, 2025 04:12 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

Walkouts, feuds and broken friendships: when book clubs go bad. I don't think I've ever been in a book club of this kind. Many years ago at My Place Of Work there used to be an informal monthly reading group which would discuss some work of relevance to the academic mission of the institution, very broadly defined, and that was quite congenial, and I am currently in an online group read-through and discussion of A Dance to the Music of Time, but both these have rather more focus perhaps? certainly I do not perceive that they have people turning up without having reading the actual books....

Mind you, I am given the ick, and this is I will concede My Garbage, by those Reading Group Suggestions that some books have at the end, or that were flashed up during an online book group discussion of a book in which I was interested.

Going to book groups without Doing The Reading perhaps goes under the heading of Faking It, which has been in the news a lot lately (I assume everybody has heard about The Salt Roads thing): and here are a couple of furthe instances:

(This one is rather beautifully recursive) What if every artwork you’ve ever seen is a fake?:

Many years ago, I met a man in a pub in Bloomsbury who said he worked at the British Museum. He told me that every single item on display in the museum was a replica, and that all the original artefacts were locked away in storage for preservation.
....
Later, Googling, I discovered that none of what the man had told me was true. The artefacts in the British Museum are original, unless otherwise explicitly stated. It was the man who claimed to work there who was a fake.

This one is more complex, and about masquerade and fantasy as much as 'hoax' perhaps: The schoolteacher who spawned a Highland literary hoax

This is not so much about fakery but about areas of doubt: We still do not understand family resemblance which suggests that GENES are by no means the whole story.

Reading adventures

Jul. 12th, 2025 05:16 pm
cimorene: Pixel art of a bright apple green art deco tablet radio with elaborate ivory fretwork (is this thing on?)
[personal profile] cimorene
I haven't been able to get invested in reading a specific fandom in several years. Every now and then I look at fandoms I have read in the past and manage to spend a few weeks rereading some of them before I run out of patience to keep looking, but that's not very long.

About a month ago, I tried to read some 911 fic from [personal profile] waxjism's spreadsheet. She is keeping a spreadsheet of every fic in this fandom she has read. She records the title and author; pairing (even though they're all the same pairing); summary - which is sometimes the author summary and sometimes she writes something in this field like a comment, or a whole rant, that doesn't actually include a summary; a column called "good/no" where she categorizes them as very good, good, above mid, mid, "sub mid", or bad; and a column called "comments" where she sometimes rants, or continues the rant from the summary columnn, and sometimes just says things like "fun-ish" or "not flawless" or "pretty hot" or "unbearably written by a child or a super-offline person". This is different from how I, at least, used to keep track of a recs list when I had to do it manually, because she puts in everything she starts even if she DNF immediately, and also it's for private use. I tried to use it to find things to read, and it's not like I'm unfamiliar with reading fanfiction without canon but also I had seen some of this show accidentally while she was watching it. I did keep trying for a while and I read... some... number of the ones she marked very good or good, based on the comments and summaries, but I kept getting bored and annoyed at the characters. It just wasn't grabbing me. Very disappointing because there would've been a lot to read. (A huge amount of the things on this spreadsheet are marked bad or sub-mid even by her, and I think she is in general more forgiving in judging quality than I am even though unlike me she never reads things that seem kinda bad or mediocre to her for fun. And she has never gone archive-spelunking or read directly from the tag: she ONLY reads from recs and bookmarks. There's no control to test it here, but I think this bears out my personal conviction that there is a 0% increase in quality from recs and bookmarks (of random people that you don't know as opposed to someone vetted and trusted) vs. the slushpile (the entire content of the archive at random)).

A couple of weeks ago I saw a post on Tumblr that said something like, paraphrased, "There's a very popular notion that in the past all literature was good quality compared to now, but that's not true. This is survivorship bias. The stuff we still know and read in the present day is the good stuff, but a vast quantity of bad and mediocre stuff is lost to time." Someone responded by linking to The Westminster Detective Library, a project investigating the earliest history of the detective fiction genre. Apparently the professor who began it was initially inspired by a conviction that Poe's Murders in the Rue Morgue was not actually the first detective short story based on features of its writing which in his opinion betrayed the signs of a genre history. The website contains transcribed public-domain detective fiction that was published in American magazines before the first Sherlock Holmes story's publication. I have been enjoying reading through it chronologically since I read the post. Reading in one genre is a bit like reading in one fandom, and reading very old fiction has several special points of interest to me because I love learning about history and culture in that way. Of course on the minus side, it isn't gay. But I'm getting fascinating glimpses of the history of the genre and the history of jurisprudence in both America and Britain. And although there is definitely mediocre and "sub-mid" writing published in the periodicals of the 18th-19th centuries, awash in silly cliches and carelessly proofread if at all, they are still slightly more filtered for legibility and literacy than the experience of reading modern fanfiction (even, as mentioned in the last paragraph, from recs lists and bookmarks, unless you have a supply of trusted and well-known reccers to follow. I sometimes come near tears remembering the days when I could always check what [personal profile] thefourthvine and [personal profile] norah were recommending, but I can't blame them for the decline, either, because I was generally reading and at least bookmarking if not reccing just as productively at the time).

The other thing that has happened to affect my reading is that my little sister's high school best friend got engaged and invited my sister to her engagement party in Florida, which is going to be "Gatsby-themed". The 1920s is possibly my single oldest hyperfixation, dating from before the age of 10, and it's the historical period that I know and care the most about. For the past ten years or so the term "Gatsby" has, consequently, inspired me with the most intense rage and irritation, because its popularity after the movie version of The Great Gatsby flooded the internet with so much loathesomely inaccurate "information" about and imagery of the 1920s as to actually make it harder to find real information, and nearly impossible to filter out this dreck. So my sister began shopping for her Engagement Party Outfit, which is supposed to be "Gatsby"-themed, and I am the permanent primary audience for this (just as she is the permanent primary audience any time I am planning outfits or considering my wardrobe). This has led me to reading 1920s magazines online from the Internet Archive and HathiTrust - initially the middle-class fashion magazine McCall's; then also Vogue and Harper's Bazar (much more pretentious and bourgeois). I tried to branch out into interior design magazines of the same period (House & Garden and Better Homes & Gardens), but it has been harder to find scans of them. I find 1920s romantic fiction (serialized copiously in all these magazines) much less readable and enjoyable than the 1920s detective fiction which I am more familiar with (I've read plenty of it thanks to my interest in Golden Age detective stories)... but I've also learned a lot more physical and aesthetic details about women's fashion and interiors from the romantic fiction, which makes me think I perhaps need to seek out more of it.

choir stuff

Jul. 12th, 2025 12:58 am
kareila: Ariel in human form, regaining her voice (ariel)
[personal profile] kareila
Got an update from our chorus manager today.

The search for a new chorus director is still getting organized and won't be done until late in the calendar year. They've decided to let the orchestra's associate conductor act as the interim director for our fall performances (B9 & Messiah). He was already going to be conducting the Messiah anyway.

Turns out the reason Carmina Burana wasn't included on the symphony's concert schedule is because we're inexplicably doing it with the local ballet organization instead. Interesting.

We've also been told to pencil in a possible one-night performance in late February, but not what it might be. So there's at least a slim chance we might still do something this season that I haven't already done at least 3 times before. We had earlier been told that we would be involved with The Polar Express, but then they decided to do Muppet Christmas Carol instead.

Oh, cat

Jul. 11th, 2025 10:37 pm
azurelunatic: Vivid pink Alaskan wild rose. (Default)
[personal profile] azurelunatic
Caught Yellface with her WHOLE HEAD inside the Fritos bag.
oursin: Drawing of hedgehog in a cave, writing in a book with a quill pen (Writing hedgehog)
[personal profile] oursin

This time it was online, in Teams, and worked a bit better than some Team events I've attended, or maybe I'm just getting used to it.

A few hiccups with slides and screen sharing, but not as many as there might have been.

Possibly we would rather attend a conference not in our south-facing sitting-room on a day like today....

But even so it was on the whole a good conference, even if some of the interdisciplinarity didn't entirely resonate with me.

And That There Dr [personal profile] oursin was rather embarrassingly activating the raised hand icon after not quite every panel, but all but one. And, oddly enough, given that that was not particularly the focus of the conference, all of my questions/comments/remarks were in the general area of medical/psychiatric history, which I wouldn't particularly have anticipated.

(no subject)

Jul. 11th, 2025 09:03 am
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] emperorzombie!

Murderbot, no spoilers

Jul. 11th, 2025 03:17 pm
mific: (Murderbot)
[personal profile] mific
Extremely good finale for Murderbot! I'm feeling pleasantly melancholic now the series has finished, but at least I get to watch it all again. Also, it's been renewed for a second season!

New Murderbot Short Story

Jul. 10th, 2025 09:33 pm
marthawells: Murderbot with helmet (Default)
[personal profile] marthawells
The new Murderbot short story is up at Reactor Magazine:

Rapport: Friendship, Solidarity, Communion, Empathy

https://reactormag.com/rapport-martha-wells/

Edited by Lee Harris, art by Jaime Jones.


And Murderbot was renewed for a second season!

https://deadline.com/2025/07/murderbot-renewed-season-2-apple-tv-1236453764/

“We’re so grateful for the response that Murderbot has received, and delighted that we’re getting to go back to Martha Wells’ world to work with Alexander, Apple, CBS Studios and the rest of the team,” Chris and Paul Weitz, said in a statement Thursday.

Writing technique comms on DW?

Jul. 11th, 2025 10:44 am
mific: (A pen and ink)
[personal profile] mific
Does anyone know of any (currently active) comms on DW focussed on writing craft or technique? [personal profile] troyswann was asking and all I can think of are writing challenge comms like https://getyourwordsout.dreamwidth.org which are about producing words, not the craft of writing.

I also have a bunch of links saved, mostly from tumblr, on things like "worldbuilding" and "how to write fight scenes" etc. It's here: https://drive.google.com/file/d/1cMbhguAkJxfS9eJcacre7RpPutUo8qkx/view?usp=sharing

What other writing technique or info resources or posts do you like?

sovay: (Rotwang)
[personal profile] sovay
It was helpful of Adrian Tchaikovsky's Elder Race (2021) to include a dedication to its inspiration of Gene Wolfe's "Trip, Trap" (1967), since I would otherwise have guessed Le Guin's "Semley's Necklace" (1964)/Rocannon's World (1966) as its jumping-off point of anthropological science fiction through the split lens of heroic fantasy. As far as I can tell, my ur-text for that kind of double-visioned narrative was Phyllis Gotlieb's A Judgment of Dragons (1980), some of whose characters understand that they have been sucked down a time vortex into the late nineteenth century where a dangerously bored trickster of an enigmatically ancient species is amusing himself in the Pale of Settlement and some of whom just understand that Ashmedai has come to town. I got a kind of reversal early, too, from Jane Yolen's Sister Light, Sister Dark (1988) and White Jenna (1989), whose modern historian is doomed to fail in his earnest reconstructions because in his rationality he misses that the magic was real. Tchaikovsky gets a lot of mileage for his disjoint perspectives out of Clarke's Law, but just as much out of an explanation of clinical depression or the definition of a demon beyond all philosophy, and from any angle I am a sucker for the Doppler drift of stories with time. The convergence of genre protocols is nicely timed. Occasional Peter S. Beagle vibes almost certainly generated by the reader, not the text. Pleasantly, the book actually is novella-proportioned rather than a compacted novel, but now I have the problem of accepting that if the author had wanted to set any further stories in this attractively open-ended world, at his rate of prolificacy they would already have turned up. On that note, I appreciated hearing that Murderbot (2025–) has been renewed.

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